At the awards ceremony (did I mention that?) in Ontario, I met a literary agent who said a writer, as well as writing, should have a day job and a partner who works.
Regular readers of this blog will not be surprised to hear me disagree.
The idea presumably is that day jobs and working partners are a “double lock” against complete professional and financial failure, and perhaps that the double information input from these day jobs can provide the raw material for a literary output.
I prefer to throw caution to the wind when it comes to life and work (it’s served me well so far) and to just get on with things in terms of writing. When I have a job, my prevailing thoughts are “this is an appalling expectation” and “why can’t I just be left alone to get on with my stuff?” none of which is very productive. As for a working partner, I wouldn’t wish a job on an enemy let alone the person I’m uniquely squiggly about.
Regardless of my thoughts on the matter it’s starting to look as though my partner and I will be following the agent’s advice to some extent.
A term of my wife’s immigration to Britain from Canada is that her spousal sponsor (that’s me!) earns £18,600 per year. Without revealing the full moth-ridden shame of my personal finances to you, dear reader, I do not usually make £18,600 per year. We live well and have never been in debt but that’s not enough for the British government. They want to keep Bohemian types off these shores, and that includes my life partner. Honestly, they don’t know what they’re missing. She’s fab!
Fortunately, we’ve found a rare loophole that (assuming the Tory vermin don’t close it this year) will allow Sam and me to share the burden of earning the £18,600. Sam’s looking for a j-o-b and I’ll be relying largely on short-term contract work like some sort of hipster-for-hire.
We can’t depend on our (by most standards quite substantial) savings because the value of savings is subject to an equation designed to make it look like a pittance. We can’t depend on the kind of literary or arty schemes I’m known for either. I could reframe my entire artistic output as self-employment by keeping detailed accounts, but the criteria for this is confusing and contradictory so I’m terrified of Sam’s visa being rejected on a technicality.
So it looks like Robert W, self-styled master Escapologist, has little choice but to OBEY and must knuckle down for a spell. No more getting up at 11, no more boozy breakfasts, no more writing or chatting into the we small hours. A crushing blow really, to have the shackles put back on so mercilessly despite thinking we’d got things all figured out (the £18,600 financial requirement has only existed since 2012).
We have for a while felt like Winston and Julia in Nineteen Eighty Four, cast asunder in a gigantic, unforgiving mechanism. But we’ll not dwell on that. Let this diary be cheerful.
I mentioned in the last thrilling installment that I’ve accepted a one-month contract at a university. It’s going surprisingly well. Today will see my twelfth working day draw to a close: almost halfway through. The campus is rather beautiful, abundant with wildlife; my temporary colleagues are a very good-natured bunch; and (I can’t quite believe I’m writing these words) I’m enjoying the commute.
After a short and barely-noticeable jaunt on the tube, I take a half-hour train ride into the countryside, followed by a twenty-minute brisk walk to the campus. I like trains and I like walking, so it works out nicely. I wouldn’t be so chipper about this if the train were a crammed inner-city commuter one or if the walk was much longer or less scenic. I’ve been lucky.
Feelings of “that I have to do this is a fucking outrage” are mitigated by the fact that the job is temporary and that it’ll be nice to have some extra cocktail money anyway. I’ve also started, rather uncharacteristically, keeping a nature diary, for which twice-daily walks in the countryside provide ample fodder.
I have secret hopes of winning less desk-bound, more arty contracts. A new artist friend is good at raising money and seems willing to hire me in some capacity. Meanwhile, poor Sam’s applying for all manner of curious employment to shoulder her half of the burden.
For all my cheerful (stoical?) approach to the situation, being forced into work could barely come at a worse time. My book, Escape Everything, is due for publication quite soon. Received an early sample of the cover art yesterday evening and it looks utterly marvelous. I need to be available for last-minute edits and, afterwards, for any promotional work and public events. As much as anything though, it’s embarrassing to have written the bible of Escapology only to fall into mandatory (albeit brief and fairly undemanding) employment almost immediately. I hope people see how extraordinary my circumstances are.
Still, all this at least provides material for the next few issues of New Escapologist. Watch in awe, ladies and gentlemen, as the Great Roberto escapes his toughest predicament to date! This surely is my “Chinese Water Torture Cell” moment. Let’s see if I can escape.