I recently completed a five-week contract at a countryside university. While I didn’t appreciate rising at 6:30 each morning, everything else about the contract was surprisingly nice. I liked the people, the work itself, even the commute. It wasn’t the classic inner-city slog thankfully, but a fine swing across open countryside by rail followed by a twenty-minute walk past the tidy shop windows of a small town.
Not all contracts are so nice, but I’m still left feeling that some temp work every now and then could be the lock pick for Escapologists who can’t (or don’t want to) give up employment entirely. Work for three months and, if frugal, take nine for yourself. It’s far less horrible than full-time work, always with a light at the end of the tunnel and a finite, well-defined project to complete in the meantime.
I’m now enjoying a period of languishing at home, where I’m tinkering with New Escapologist Issue 12, listening to a lot of jazz music, and generally having a fine old domestic time of things. Not bad at all.
I’ve accepted more contract work for later in the year, this time for a medical library. While I wouldn’t say anything so ridiculous and dishonest as “I’m looking forward to it,” I don’t feel afraid either and I’m somehow managing to keep feelings of anger and defeat firmly in place. Yes, I’ve been bullied into this whole thing by some ideologically-installed Westminster bureaucrat, but since I’m powerless to fight him I’ll simply ignore him. Besides, the extra money will be nice. Maybe I’ll spend it on an anti-xenophobia or free movement campaign.
These contract jobs mean putting my creative practice into a state of hibernation. I’ll keep the creative heart beating but in a minimalist way, a kind of safe mode. I’ve experienced employment often enough to know that while there may still be hours to write novels, there’s never the necessary energy or willpower or peace of mind. I’m wise enough not to go into this thinking “Hey, I’m strong enough to do both at once and have a social life!” It’ll never happen. So I’ve battened down the hatches by planning to do only what I know I’ll find manageable.
To start with, I’ve a long overdue need to send manuscripts and enquiry letters to publishers and agents. There will be promotional work to do for the new book too. This is the kind of work I too often fail to do in the land of the free. It always feels like such a chore. But since I’ll be getting paid to cheerfully push bullshit around all day anyway, I’ll be in the right state of mind to tackle such things. Operation Dung Beetle.
For actual writing, I’ve been keeping a private Nature Diary since April and I intend to continue it ’til next April. It’s a manageable amount of writing: just a few hundred observational words per day. I hope to edit it into a book, a sort of Escapological novel, once the year of contract work is over. Nature Diary of a City Slicker will likely be my next book (2017) after Escape Everything!
My general feeling as I write this in a sunny apartment (the lease on which we extended yesterday when landlady Heather popped in) on the leafy and pedestrianized West End street we share with art students and foxes, is thankfully, of everything being under control.
Yes, despite everything, I feel in control. I think this is down to the “batten down the hatches” attitude and not putting myself in a position of feeling overwhelmed. I highly recommend it.
As a teenager, I worked in a large music-and-video store. Part of my self-imposed work ethic was to keep the cargo bay empty. When a delivery came, I made it a priority to get it priced and onto the shelves or into the overflow warehouse immediately. An empty cargo bay meant we could tackle any delivery that came in, no matter how big or how complicated. Nothing could take us by surprise. We could take on all-comers. That’s how I feel today: in control, stripped back, versatile, ready. And it’s not bad.