I’ve just returned from a whistle-stop tour of England. Well, London and Birmingham and bits of the countryside anyway.
A fine time was had, but when I saw an otherwise-pretty country cottage plastered with Brexit Party logos and slogans, I felt a surge of genuine shock. I wouldn’t want a world so homogenised that people didn’t have different ideas on how to run it, but my life is so insulated from hardcore Brexit sensibilities by living in Scotland and rarely visiting anywhere other London when I venture south, that it felt like I’d seen a house emblazoned with swastikas.
I’m willing to accept that this might say more about me than it does about the world. Nobody yet knows how history will see the present moment, but as a rootless cosmopolitan I found it chilling to say the least. It’s the idea that this madness was present all along–all through the sanguine ’90s and the neolib noughties–lurking darkly and burning hot.
Around the time of the EU Referendum, I saw some graffiti in Glasgow that read, “Let all the poison that lurks in the mud, hatch out.” This turns out to be from I, Claudius by Robert Graves (from whom, incidentally, New Escapologist takes it’s subtitle, “Goodbye to all that”). Maybe this is what we’re going through: letting the poison hatch out, getting some bile up for a nation’s health and a better world, the cottage I saw being but one manifestation of this. I’d like to believe it, but I don’t. I think there’s years of this bullshit yet to wade through and there will be huge amounts of additional damage to control.
Something else. There’s been an aesthetic change in England since I’ve been gone. Things feel distinctly folksy and anti-Modernist in a theme parkish way well suited to the era of Amazon and Etsy. I saw lots of people wearing tweed waistcoats and Peaky Blinders caps, and everything now seems to be covered with bunting. These pretensions to “vintage” style are aligned somewhere between hipster and UKIP, a Wartime tweeness represented in cutesy little cakes, pinafore strings, the union flag, electro-swing, and stocking seams. It all seems to say “This is as it should be,” but the aesthetic has confused authenticity with kitsch. I can just see them all huddled in bunkers after the Union and the EU, singing “we’ll all go together when we go” and believing it to be a consoling English song. The English are bringing back Their Day, reimagined and remixed through the lenses of nostalgic conservatism, CAD technologies, and an online shopping experience that grants people whatever they want. What they want in provincial England seems to be a sort of Replicant village May Day, Empire without the Empire.
Hey, do what you like! But please remember to also do the right thing.
I witnessed further historical moment in London when rubbing shoulders with Extinction Rebellion. I joined a small Idler contingent at Trafalgar Square for a “Do Less” campaign proximate to the somewhat larger XR disruption. I was over two hours late, which means I win at idling.
The event was quite exciting. I’ve been to lots of protests and marches and Anarchist or Socialist events over the years, but there was a palatable sense here that the protest was a genuine interface with Power, that They might be paying attention. Who knows?
At first, I wasn’t sure I’d be able to climb to the level of the lions on Nelson’s Column, but Tom and Brendan and Flo offered encouragement: “Just get your knee up!” I’ve said it before: the strongest force in the universe is peer pressure.
Flo has filed a nice and more detailed report at the Idler website:
Also present was Robert Wringham, Idler contributor and frugality expert. Robert doled out cheese sandwiches at Nelson’s Column to keep starving editor Tom Hodgkinson from going full anarchist and smashing up a police van. Thankfully he arrived at just the right time for lunch, or we may have been making this report from a prison cell.
We sang Lie Down And Be Counted by Neil Innes to the strumming of Tom’s uke. I’ve been suffering from laryngitis and so my deeply-hoarse Larry David (Larynge David?) voice was extremely audible over the others, especially when I routinely came in early on “what are we standing for.”
I missed my Patreon deadline last month because I decided that my essay about tiny houses wasn’t quite up to scratch, so nobody was charged. This is the kind of quality control you can expect from New Escapologist. Will there be an essay at the end of this month? Join us on Patreon to find out.