Depressed by scenes of maskless Soho revelers seemingly rain-dancing for a second wave, my mind drifts in the direction of escape. I can’t help it. I’m an escape artist.
Unfortunately, my would-be escape is prevented by iron-clad reasons to stay put on Covid Island, but maybe you could act on this escape plan if you wanted to.
While the air bridges are open (act fast!), I would bugger off to Copenhagen for six months and wait the rest of the crisis out.
Denmark has suffered 600 Covid deaths to the UK’s shameful 60,000. Relatively normal life continues there if you don’t count today’s racist fish incident.
I like Copenhagen quite a bit, so I’d take a short rolling lease on a small apartment. I’d do the right thing by voluntarily quarantining my potentially asymptomatic ass for fourteen days, but after that, I’d spend 5.5 months looking at museums, walking, cycling, drooling over the urban planning solutions, drinking coffee and beer, reading and writing.
Maybe I’d even take the train to Billund to see Legoland. Come winter, I’d become acquainted with hygge. By then, one hopes, the Brits would have sorted themselves out and I could come home. If not, maybe I’d beg Denmark for asylum.
There’s probably something similar you can do if you live in America. Escape to somewhere in the Caribbean maybe? Japan?
Please send me a postcard if you do this.
Happier news in creative life. I’ve committed (emotionally, not contractually) to an idea for my next book after abandoning with a heavy heart the one I was writing before the Pandemic hit.
The new book will not be directly Escapological so I will shut up about it here and plop any more thoughts I want to communicate about it on my personal blog. I’m excited about it though, and I can’t wait to get started in August if not a little sooner. Much of the rest of July will be spent on a couple of other creative projects, not least helping to midwife The Good Life for Wage Slaves (pre-order, please!) into existence.
We’ve set up a small bird feeder in the hopes of attracting some feathered
fools friends. This is something I do periodically it seems. The feeder we found is a little plastic house-shaped seed tray with suction cups for fixing it to the window. The idea is to attract smaller, prettier birds, but so far we’ve only drawn magpies, wood pigeons, and a crow.
Being large birds, this fearsome crew tend not to use the feeder itself and make do with any seeds or mealworm that have fallen onto the ledge. This means we generally only see their heads peeking over the window frame, apparently checking to see if we’re looking at them.
The name we’ve given to our crow is Corvid-19 (well, obviously). The magpies are my favourite though because they make a lot of noise, adding something natural and woodsy to the soundtrack of everyday life. And if we ever tire of their noisy visits, we can at least have some nostalgic fun by shouting, “Maggie, Maggie, Maggie! Out, Out, Out!”
Lockdown is easing here in Scotland, though I’m glad our government has been more cautious than its counterpart in London. On Friday night, unless someone tells us we’ve misunderstood the rules, we’re going to visit some friends in their house. This will be the first time in three months we’ve been in anyone’s home other than our own. It’s going to be strange to see our friends’ faces without their constantly glitching. I might do some Max Headroom-type shtick just to make everyone feel more comfortable.