1999: The Year of the Cubicle Movie
[Unlike] monster movies showing cold war anxieties and 21st-century horror movies conveying fears of acts of terror, [the films of 1999] were not about surviving the present, because the present was actually going well. They were about being tired of that stable present and looking for a radically different future.
Maybe. Maybe-maybe. For me it was more about being told to sit down and shut up after three years of reading Foucault in a university library and having the youthful desire, no the need, to strike out into art and tear the world to pieces. And not being allowed to. For reasons I’m still not completely clear on.
He’s right to note that The Matrix, Office Space, Fight Club, American Beauty, and Being John Malkovich were all released in 1999 and all feature “a main character tired of the stability, monotony, and uneventfulness of their [lives].”
That uneventfulness, to me, didn’t come from “the present going well,” by which he means culturally and economically at a macro level, but from the first cracks appearing in the old doxa that “people go to work and that’s that” and the widespread failure to understand the opportunities presented by the internet.
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About Robert Wringham
Robert Wringham is the editor of New Escapologist. He also writes books and articles. Read more at wringham.co.uk