I am an AV Technician — means nothing to me either. The “A” part is for “Audio,” on which I did a course many years ago. I’d set out wanting to learn something about producing my own music in my own studio if I ever got to build one. I never did. Even so, I persevered and got a qualification (woohoo) in something I wasn’t interested in. I suppose I wanted to have a qualification to prove myself to others.
I then came to London in search of a job I didn’t want in radio. I enjoyed working with gifted and talented people and held the first ever internet radio show, so I was in the right place for the wrong reasons. I met someone who told me about AV – and I went on another course to learn about the “V”. I soon felt I was in the wrong place with the wrong reasons. I am still persevering. Why?
A lot of what you say and write, I know already in my mind but am less able to express in words. You seem to do it fine, like Alan Watts or Nietzsche or even Mooji. So here I am, re-assessing what to do work-wise, and your message is resonating. I have at least found a Quanswer (question answer) to my search. So thanks for the website and writings.
Like you, I have attempted stand-up [comedy] a few times and it’s a buzz to bomb and to have some instant creative outlet. I am still attempting it, but its not really the best comedy out there — okay, its one of the worst but I am still enjoying it.
I haven’t really attempted at being a [professional] stand-up or even thought about pursuing it, but after meeting [a famous comedian] I started to look into it. I even did a course here in London (yes, another one. I am so readily conned by courses, yet I get easily bored of study). I find it hard to write and perform my written stuff. So a lot of the times I go out raw and I hit the floor quickly. Hard stuff, but enjoyable. When I compare myself to proper comics, it seems to be about finding that persona – just not sure yet.
All the best,
Hi Michael. What you’ve experienced is fairly typical. You start with good, creative intentions but then make a series of pragmatic, not-half-bad decisions until you find yourself in a cul-de-sac. If you’ve read my book you’ll know about the life audit. I’d suggest this exercise as a good place to start in figuring out what to do next.
I think what you do in stand-up is more valuable than anything you (or anyone else) will do in AV. It’s art, baby. I’d rather be a shit artist than a great dullard. Here’s an inspiring quote from Charles Rennie Mackintosh, the patron saint of art in my town of Glasgow: “There is hope in honest error, none in the icy perfection of the mere stylist.” I suppose he means it’s better to try something bold and in earnest and to get booed off the stage than to slave away doing a perfect, marketable job of something that doesn’t particularly matter.
Here’s a thought regarding the finding of the comic persona, and also with irresponsible reference to your tendency to be seduced by courses. Why not go on a Gaulier clown course in Paris or Brighton? They teach you to “find your clown”. Loads of great comedians have done it: Nina Conti, Simon Amstell, Dave Thompson.
There. It finally happened. I suggested in earnest to someone that he run away and join the circus.